We Cannot Divorce People From Culture
Does the clothing make the person or the person make the clothing? While this question is typically related to dresses and women, the inquiry knows no gender. At the heart of the question is a consideration of the relationship between the created and the creator, between form and function. Clothing is not simply about covering the body, it functions dependent upon the intent of the person and the social context in which it is worn.
Follow along for a moment and we’ll get to the broader issue. In Western countries we notably wear black to funerals, brighter colors to weddings. The associations cannot be overstated, with one acknowledging an ending and the other a celebration of a type of birth or beginning. We have expectations of what to be worn at job interviews, on romantic dates, to music concerts depending on the genre. Importantly for the latter, location matters as well. Rock music played in an open stadium brings a certain dress-code, whereas the same music played in a concert hall by an orchestra will inspire a different response.
If anyone is shrugging at the significance of the impact of clothing choice, simply consider the days of High School and the social shame accompanying not wearing the ‘cool’ clothes, potential violence occurring if wearing shoes that are considered ‘must-have,’ and the time and mental anxiety accompanying what to wear for school pictures and first dances. For that matter, clothing stores have created an entire sales season out of ‘Back to School’ clothes shopping. Expand this a bit and consider wearing pastels or flowery-shirts to a funeral or ragged clothes and sandals to a job interview. Perhaps doing so was to make a statement, though it is precisely because the action is so contrary to expectations that the ‘statement’ will have any power (perhaps not great consequences though).